I’ve been feeling a bit under the weather since mid-week. Nothing major – scratchy throat for a couple of days, and a general feeling of malaise. It didn’t stop me from the treadmill and all the running around that we always do on The Husband’s 2 days off; but yesterday, I really didn’t feel good.
When I’m feeling the sort of run-down that heightens every ache and pain – which shoots off a distress signal to my brain, where the real fuckery begins – I listen. This was not always the case. As women, we’ve taught ourselves to minimize our own well-being, lest we be perceived as being sOfT or too DeLiCaTe or, worse yet, SELFISH. We’re the caretakers, and that doesn’t mean for ourselves. I’ve got to wonder: who came up with that set of parameters? Was it a man? See, I don’t think so. I think it was a woman, and a shitty one, at that. To quote the late, great Secretary of State, Madeleine Albright:
“And just remember – there’s a special place in hell for women who don’t help each other.”
PASC, or Long Covid, has really changed how I address not feeling quite right. There’s still so little information about why it happens, and I don’t know when the science will catch up to it. What researchers do believe is that Covid basically lights up the immune system, putting it into overdrive. While you want your immune system to be strong, you don’t want it to attack healthy cells. With PASC, that’s what it appears to do. Multiple systems become inflamed, and that inflammation translates into multiple symptoms – all of which suck a dick.
I have been taking a daily protocol that seems to be providing some relief for many PASC patients, including me. It consists of an antihistamine – Claritin for me, since I already take it for uticaria – for allergic inflammation; Pepcid, for gut inflammation; Omega-3, for brain food; and melatonin, for serotonin stimulation. I started in mid-August of 2021, and, by October, I could exercise again, and I just felt generally better. Not 100%, but better. You take what improvements you can get with PASC.
The problem with feeling a lot better is that I tend to forget that I’m not entirely better. If I push it too far, I can relapse. And with the “return to normal,” or whatever the fuck this is, exposure to other viruses, bugs, and even Covid still, I have to be careful. Some of it is psychological: my brother and nearly 6 million other Americans are just gone, and so many millions of us have gotten sick in varying degrees. Nothing about this virus is standard, or garden variety, and we don’t yet know whether it hides in a dormant state in our bodies. That stark reality can really fuck with your head, and since I’m already a little bit bonkers, it’s just another special ingredient in my brain stew.

I basically slugged it on the couch and let my boys take care of me. Never underestimate the power of the feline. By last night, I was feeling so much better.
Then, the news of Taylor Hawkins’s death smacked me in the face about 3 minutes after it was tweeted, and everything just, well, it got dark.

I don’t know why this happened. I don’t know how we survive each blow as they come. Holy mother of fuck – why can’t we just breathe for a bit?
If any of you have been living underneath a rock for the past 25 years and don’t know who Taylor Hawkins was, he was the drummer for the Foo Fighters. He was fierce, and explosively talented, and sweet, and his star shone so, so bright. One cannot think of the Foos without pairing Dave Grohl with Taylor; they were fiercely close, and Taylor was the member of the band who was most likely to be by Dave’s side during interviews. When one says, “Foo Fighters,” Taylor would be the first thought that comes to mind nearly as much as Dave.

Taylor Hawkins was the only drummer who could sit behind that drum kit and make you forget that the greatest drummer was holding a guitar and singing in front of him, not playing the drums – and you were glad.
I have spent the entirety of this decade grieving, sick, struggling, and combating feelings of hopelessness, despair, futility, and dread. There have been scant moments of happiness, and they fit on the fingers of one hand:
A grandson born at the very beginning.
The absolute joy on my brother’s face when he heard that the Orange Menace had lost the election.
New music from my most beloved bands.
A ginger fur angel sent to me to love and to cherish.
A concert (The Foos) that checked off a box on a list of things that I wanted/needed to do.
Throughout this absolute hell of a first part of the decade, there’s been one, consistent element that has held me up, encouraged me, and dragged me through the worst of it. That element is music, and specifically, the Foo Fighters. When I could not bear to listen to the music that had united my brother and I in a sort of raucous, secret society within enormous, worldwide fandoms, I found that the Foos provided a soothing balm that soaked into my pain and diluted it a bit. I still don’t know why I was able to immerse myself in their music; Charlie and I had together loved them every bit as much as KISS or Ghost. I should have been awash with sorrow every time I heard them. I have definite thoughts about why I wasn’t.
On September 15, 2021, we traveled to Syracuse, New York, to St. Joseph’s Amphitheater, to attend a Foo Fighters concert. Our journey to Syracuse was quiet, but not uneventful. The forecast had warned of rain for days before, and rain is what we got nearly all the way northeast. Torrential, blinding, thunderous, hydroplane-inducing rain, with impossibly low-hanging, ominous clouds pregnant with moisture, promising more where that came from. Inwardly, I shuddered. I envisioned us being soaked and shivering in our lawn seats, going home with colds or worse. “So we get wet,” The Husband said, matter-of-factly. “It’s the Foo Fighters.” He is not the fan that I am; he appreciates them and thinks Dave is cool, but we were clearly going for me, not him.
The concert, itself, was amazing. That is, once it finally began. The weather we had traveled with had settled into New York City, where the band was making the short flight to Syracuse from. They waited on the tarmac for 4 hours before finally getting the okay to fly. Dave told a hilarious story about it, which I recorded:
We were very fortunate that they made it literally at the last minute, but I never had a doubt. That night, there was the most gorgeous sunset, and I could feel my brother’s presence, his face illuminated in deeply rose-colored fire. Even a musically-solid opening band, with a spastic lead singer having an existential crisis onstage, making it difficult to react in any way other than “What the fuck did he just say?” didn’t faze me; I knew that the plane would make it, much like the Foos’ song, Wheels.
When the wheels touch ground (when the wheels touch ground)
And you feel like it’s all over
There’s another round for you

No one entertains like Dave Grohl. No one engages with his audience like that motherfucker does. I use motherfucker with love, because he’s notorious for referring to his audiences as just that. Let me tell you: there isn’t anything more thrilling than being called a motherfucker by Dave Grohl – except probably meeting him. Since I very much doubt that I will ever have that opportunity, I’m content with being called a motherfucker.
I danced. I shouted. I laughed. I shrieked. I delighted in seeing Pat Smear’s joyous, bouncy guitar playing because he is truly an ICON and his face makes me happy. I delighted in Taylor Hawkins and his freight train, bombastic energy. That guy’s smile lit up the world. I did all those things. I was caught up in the music, in the magic of a late night outside, singing along with every song and knowing that the 17,000 other souls were right there in the zone with me.
And then, it happened. They performed These Days. It’s one of my favorites, and it is apparently a favorite of someone in Ghost, because it’s always a part of their pre-show, piped in music. Charlie noticed it, and was thrilled that, in his words, “Papa likes the Foo Fighters!” When I reminded him that Dave Grohl had actually produced and played on a Ghost album, he laughed out loud and said, “Yeah! Duh.”

I could feel the swelling of emotions rising from within as I sang along with the band. When it got to the chorus, sobs tore from my chest and my eyes made actual tears. I sang even as I brayed, gripping The Husband’s arm. It felt, for a moment, like it had the day I had lost Charlie, in that tiny room. That searing agony as the cries tore up through my chest and throat and clawed their way out of my mouth, like a cloud of bats. I released them into that crowd, feeling my heart straining against the confines of my body. I let the pain carry me as I sang. I saw The Husband break down for a moment, and then we embraced. We were united in a moment of such extreme grief, all the hopes for a future where we would dream up ways for Charlie to do all the things and make his dreams come true just gone. Gone.
Seeing Taylor perform Queen’s “Somebody to Love” was truly one of the most emotional parts of the concert. The guy just exuded vulnerability; I wanted to fold his wiry frame into a fierce hug and say, “I love you.” I wish that I could have. I didn’t know that it would be the first and last time that I would experience that performance in person.

It’s gut-wrenching to think about.
On the first anniversary of Charlie’s death, I was determined to make it a normal day. I got on the treadmill. I tuned into my fast-pace playlist. I was nearly an hour in when the song I was listening to just stopped. There was silence for a few seconds. Then, the stripped-down version of “Times Like These” began to play. A warm flush suffused my body, and I let the lyrics sink in:
I, I’m a new day rising
I’m a brand new sky
To hang the stars upon tonight
I am a little divided
Do I stay or run away
And leave it all behind?
Ah-ah-ahh
It’s times like these you learn to live again
It’s times like these you give and give again
It’s times like these you learn to love again
It’s times like these time and time again
I sobbed. I picked up the pace. I knew that my brother was coming through, and that this was his message. When it was over, I stopped, and looked at the screen of my phone, at the playlist. It wasn’t my playlist. It was the Foo Fighters page on Spotify. Call it whatever you want, but I know that I wasn’t in charge of my phone that day, as it nestled in the side pocket of my shorts. It was divine.
I hope, that once the dust settles and the confusion and searing grief let up just a little, and all the immediate, painful sorrow has dripped from the eyes of everyone close to Taylor, that his loved ones – his family, both immediate and band family – and friends, will feel Taylor coming through to them with his own message of love and strength. I know my brother is looking for you in that Otherside, Taylor. He’ll find you, and you’ll hear him shout,
“MOTHERFUCKER.”
And then, he’ll hoot with laughter.

































